- •Keyboard shortcuts
- •Double-clicking
- •Right-clicking
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- Celemony Melodyne Studio 4 Reddit Free
To help you concentrate on the essential – namely, your music – Melodyne supports a variety of techniques for speeding up your workflow.
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Keyboard shortcuts
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Using keyboard shortcuts, you can switch tools, change the zoom level and perform a wide variety of other tasks. This can save you a great deal of rummaging around in menus and clicking with the mouse. Get to know the shortcuts!
You’ll find the current assignments laid out clearly on the Shortcuts page of Melodyne’s Preferences. You can change the assignments there, if you wish, and assign shortcuts to other commands you use frequently. For details, see the user manual.
Double-clicking
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In some areas of the user interface, a double-click can save you a lot of time. For example, on the horizontal and vertical scroll bars, which sets the zoom level to encompass every note.
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With the tools, the effect of double-clicking is to apply the maximum degree of correction. In the case of the Pitch Tool, it sets the deviation to 0 cents; with the Time Tool, the note snaps to the grid; and with most of the other tools, double-clicking applies instantly some “ideal” degree of correction. From there, you can make further adjustments by ear.
Right-clicking
Right-clicking in various areas of the screen opens a context menu containing a selection of commands from the main menu relevant to the task in hand. As likely as not, the command you’re looking for will be included, sparing you a far longer journey with the mouse.
On February 12, 2012, we have been honored by the Recording Academy as the first German software manufacturer with a Technical Grammy. The highest award in the music business is given in recognition of “contributions of outstanding technical significance to the recording field” and is equivalent to an Oscar in the film industry. “This is an honor none of us ever expected. I believe our company is the smallest ever to have received a Technical Grammy. And perhaps also the strangest,” commented Melodyne inventor Peter Neubäcker.
The first of the Special Merit Awards to be presented went to the Munich software house Celemony. Host and Grammy manager James McKinney opened with the legendary question posed long ago by Melodyne inventor Peter Neubäcker: “What does a stone sound like?” A truly philosophical approach to the world of sound technology, far away from the purely technical thought-processes that typically prevail in the industry, and yet it is for precisely that reason Celemony was chosen to receive this year’s Technical Grammy. After all, Celemony has blazed open a radically new avenue of access to musical editing that for ten years now has made it impossible to imagine music production without it.
In his acceptance speech, Peter Neubäcker alluded to his philosophical and mathematical background, explained his own, singular vision of music, and described the beginnings and the spirit of the company. He also thanked the Recording Academy, the Celemony team, the company’s many friends and, of course, all the users of the software Melodyne. “We are very proud as a small Munich software house to be granted such a notable international recognition for our work,” said Neubäcker, receiving the award together with his three partners in Los Angeles.