Dynamics (Compressor / Limiter) Plugin by Waves. Details Switch Section. Vocal Rider by Waves is a Virtual Effect Audio Plugin for macOS and Windows. It functions as a VST Plugin, an Audio Units Plugin, a VST 3 Plugin, an RTAS Plugin and an AAX Plugin.
- Vocal Rider is a cross‑platform plug‑in available in TDM, VST, AU and RTAS formats, and works by writing automation data for its own level fader directly into your DAW. The standard Waves window bar is provided for saving and loading presets and for comparing between 'A' and 'B' settings.
- Plugins for Vocals. From essentials like Vocal Rider and Renaissance Vox to favorites like CLA Vocals and Reel ADT, Waves offers a wide range of plugins for vocals to suit any singer or scenario.
No matter how many compressors we own, when it comes to getting vocal levels right, there's no substitute for faders and hard work. Until now..
Vocal Rider in action, showing the resulting automation exported to a Logic track.
Vocal Rider is the first of Waves pioneering new series of Mix tools. Supports TDM, RTAS, Audio Suite, VST, AU. AudioMIDI United States; DontCrack Canada. Waves GEQ is a full-featured graphic equalizer plugin with both Classic and Modern mono and stereo components, featuring 30 ISO bands plus high and low.
How do you get a vocal to sit at the right level in a mix? You listen to the vocal level in the context of any instrumental backing, and make fader moves to keep the vocal balanced against the rest of the mix. This takes time, but invariably sounds better than bludgeoning your vocal to death with excessive compression. Now Waves have come up with a plug‑in that does the job for you in a very straightforward and elegant manner. Vocal Rider is a cross‑platform plug‑in available in TDM, VST, AU and RTAS formats, and works by writing automation data for its own level fader directly into your DAW. The standard Waves window bar is provided for saving and loading presets and for comparing between 'A' and 'B' settings. The plug‑in comes as mono and stereo versions and is protected by iLok; you can also download a demo to try before you buy.
Up to 24‑bit, 96kHz operation is supported, and the plug‑in works in real time so you don't even have to 'learn' the track first. The plug‑in has a side‑chain input, and the best way to follow the mix level is to route all the instrumental sources in the mix to a bus and then select that as the side‑chain source. Once you've levelled the vocal using Vocal Rider, you can apply compression more gently and more musically, using the plug‑in of your choice, as you no longer have to deal with large level variations.
It is necessary for the program to be able to differentiate vocals from background noise, which is where the Vocal Sensitivity knob comes in. This is, in essence, a threshold that tells Vocal Rider to ignore sounds below a certain level; a Ride/Idle activity LED lights when an above‑threshold vocal has been detected. Target sets the reference level range for your vocal using a transparent fader cap, which moves over a horizontal bar meter showing the vocal level. The time constants governing the speed of the fader are preset, but there is a fast Attack setting (which affects both the side‑chain and fader response rates) you can choose if you prefer the results it produces. Vocal Rider also includes Waves' own breath‑detection algorithm, so that the plug‑in doesn't turn up all the breath sounds.
The trick to getting the vocal to sit naturally in the mix is to adjust the Target and Music sensitivity controls after first setting the Vocal Sensitivity control so that only vocals are recognised and spill is ignored. Music Sensitivity determines the amount by which Vocal Rider reacts to the backing mix level, so if, for example, the song gets louder in the chorus, the vocal will also be lifted so that it doesn't get buried. A sensitivity LED monitors the response to the side‑chain input. Another important control is the double‑headed Range Min/Max slider, which limits the amount by which the vocal can be turned up or down.
At the centre of the window is the Rider fader, which moves according to the input levels and the settings you've made, and it is this that is automated via your DAW's automation system, according to the Automation Read, Write or Off mode buttons below. The Idle Arrow sets the value the Rider Fader will settle at when no vocal is detected. The DAW's own automation must be armed separately when recording the fader movement, but otherwise, data is recorded in the the same way as for automating any other plug‑in. Last in the signal path is the Output gain trim fader and associated clip LED.
Riding Lessons
The further you move the Target fader to the left, the more heavy‑handed Vocal Rider becomes.
Operation turned out to be very straightforward using Logic Pro 9 running on a Mac Pro. Vocal Rider is inserted on your vocal or vocal group track and the side‑chain input set to the bus to which the rest of your mix is routed. As the track plays, you adjust the Vocal Sensitivity, Attack and Instrument Sensitivity controls to get a subjectively even vocal level in all parts of the song, then adjust Target using its transparent fader cap. The yellow bar in the fader track shows the actual vocal level, and the further to the left you take the fader, the more severely the vocal level is controlled, as the target level is then lower. You can then use the output trim to adjust the overall vocal level to your liking. The Rider fader will move as the plug‑in does its stuff, even before you record its output as automation data, and you can fine‑tune the operation by setting the range faders to limit the amount of level cut or boost applied. When you're happy that all is sounding OK, you can record the fader movement as automation in your DAW, which means that if you disagree with what Vocal Rider is doing at any time, you can go in and edit the automation data.
Girl tech vj 621 software driver free download mp3. Waves go to great lengths to explain that Vocal Rider is not a compressor and so does not introduce coloration. I can appreciate what they mean, as all gain changes are done using a fader rather than a VCA, FET or valve, though the end result is an automatic reduction in vocal dynamic range — which some would still define as a form of compression. The benefits of doing it in this way, though, are very real, as you don't hear any of the side‑effects of a conventional compressor, and you can edit the results just as you might if you'd manually ridden the fader and recorded the movements.
The other plug‑in parameters can also be automated, but I found that if I adjusted any of these while the fader automation was being written, it disturbed Logic's automation‑writing process, so it would be safest to automate any additional controls during a separate pass if this also happens on the DAW you are using.
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I found Vocal Rider fairly intuitive in use and the results sounded very natural, allowing me to be more discriminating in the use of any compression subsequently added. To achieve the same level of consistency through manually writing automation data would be extremely time‑consuming and probably still wouldn't achieve such precise results, so I don't think I'm going too far in suggesting that this could be one of the most significant new ideas in plug‑ins since automatic pitch correction. And, like most good ideas, it seems entirely obvious when viewed with the benefit of hindsight.
Alternatives
The obvious alternative is to do the fader moves yourself and record them as automation. However, Pro Tools users might also want to investigate Wave Rider from Quiet Art (http://waverider.quietart.co.nz). We'll be taking a look at this in SOS soon.
Pros
- Simple, elegant and effective.
- Reduces the need for heavy compression on vocals.
Cons
- Some odd behaviour in Logic Pro 9 when trying to automate multiple controls in the same pass — not that you'd normally need to do this.
Summary
A practical solution to vocal levelling that doesn't rely on heavy‑handed compression.
information
Native version £299.63; TDM version £599.25. Prices include VAT.Sonic Distribution +44 (0)1582 470260.
Waves Vocal Rider Vst
Native version $400; TDM version $520.Waves +1 865 909 9200.
Test Spec
- Waves Vocal Rider v1.0.
- Apple Mac Pro with 2 x 2.8GHz quad‑core Intel Xeon CPUs and 12GB RAM, running Mac OS 10.5.7.
- Tested with Apple Logic 9.1.
Waves Vocal Rider Vst (full+crack)
Waves - a set of qualitative and perhaps most important of the most expensive plug-in processing. This kit has everything you need to control and audio information!Waves Vocal Rider Vst Crack
This plug conventional divided into the following categories: Wave Modeling, Signature Series, Compressors, Gates, DeEssers, Limiters, equalizer, reverb & delay, Securities, Surround, Restoration, Vocal, Pitch & Time, Meter, Stereo Imaging, MaxxBass.
Program Title: Waves Plugins
Year: 2010
Program Version: 7.1.1.6
Developer: Waves
Platform: Windows
Language: English
System requirements:
. Processor Intel Pentium 4 2.8GHz, AMD Athlon 64 or equivalent;
. RAM 1 GB on XP, 2 GB on Vista / Windows 7;
. Operating System WinXP 32-bit SP2 & SP3, Vista Business 32-bit SP1, Vista Ultimate 32-bit SP1, Windows July 1932-bit;
. Screen Resolution 1024x768 32-bit.
Waves offers DAE, AudioUnit and VST plugin for DigiDesign Pro Tools, Steinberg Cubase & NUENDO, Apple Logic Pro, Ableton Live, and popular. From the equalizer, reverb, and compressor for the Border, noise reduction, and surround sound, Waves has a plugin for your audio software. With more than 100 processors and more than 250 stars plugin components, complete features more Waves in one package than ever before!
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Full list of plugins:
Amp 2Cab Mono
Amp M> S
Amp Mono
Amp Stereo
API 550A Mono
API 550A Stereo
API 550B Mono
API 550B Stereo
API 560 Mono
API 560 Stereo
API 2500 Stereo
AudioTrack Mono
AudioTrack Stereo
Axx Press Mono
Axx Press Stereo
Bass Pitcher Mono
Bass Pitcher Stereo
Buzz Mono
Buzz Stereo
C1-Comp Mono
C1-Comp Stereo
C1-Comp-Gate Mono
C1-Comp-Gate Stereo
C1-CompSideChain Mono
C1-CompSideChain Stereo
C1-DLA Mono
C1-DLA Stereo
C1-Gate Mono
C1-Gate Stereo
C-360 5 to 5
C-360 5.1 to 5.1
C4 Mono
C4 Stereo
C6 Mono
C6 Stereo
C6 SideChain Mono
C6 SideChain Stereo
Center Stereo
Chorus M> S
Chorus Mono
Chorus Stereo
CLA-2A Mono
CLA-2A Stereo
CLA-3A Mono
CLA-3A Stereo
CLA-76 Blacky Mono
CLA-76 Blacky Stereo
CLA-1976 Bluey Mono
CLA-1976 Bluey Stereo
CLA Bass M> S
CLA Bass Stereo
CLA Drums M> S
CLA Drums Stereo
CLA Effects M> S
CLA Effects Stereo
CLA Guitars M> S
CLA Guitars Stereo
CLA Unplugged M> S
CLA Unplugged Stereo
CLA Vocals M> S
CLA Vocals Stereo
Compressor Mono
Compressor Stereo
DeBreath Mono
Delay M> S
Delay Mono
Delay Stereo
Distortion Mono
Distortion Stereo
DLA Mono
DLA Plus Mono
DLA Plus Mono
DLA Plus Stereo
DLA Stereo
DLA-X
DLA-XL
DLA-XLB
Doppler M> S
Doppler Stereo
Dorrough Mono
Dorrough Stereo
Dorrough Surround 5.0
Dorrough Surround 5.1
Doubler 2 M> S
Doubler 2 Mono
Doubler 2 Stereo
Doubler 4 M> S
Doubler 4 Mono
Doubler 4 Stereo
Doubler M> S
Doubler Mono
Doubler Stereo
Eddie Kramer Bass Channel Mono
Eddie Kramer Bass Channel Stereo
Eddie Kramer Drum Channel Mono
Eddie Kramer Drum Channel Stereo
Eddie Kramer Effects Channel M> S
Eddie Kramer Effects Channel Stereo
Eddie Kramer Guitar Channel M> S
Eddie Kramer Guitar Channel Stereo
Eddie Kramer Vocal Channel M> S
Eddie Kramer Vocal Channel Stereo
Enigma M> S
Enigma Stereo
EQ Mono
EQ Stereo
Flanger M> S
Flanger Mono
Flanger Stereo
Fuzz Mono
Fuzz Stereo
Gate Mono
Gate Stereo
Gate / Comp Mono
Gate / Comp Stereo
GTR Amp Mono
GTR Amp Dual Cab Mono
GTR Amp Mono to Stereo
GTR Amp Stereo
H-Comp Mono
H-Comp Stereo
H-Delay Mono
H-Delay M> S
H-Delay Stereo
IDR360 5.1ch
IDR360 5ch
IR-1 Efficient Stereo
IR-1 Full Stereo
IR-1 M> S
IR-1 Mono
IR-360 Efficient Discrete 5.1 to 5.1
IR-360 Efficient Discrete 5ch to 5ch
IR-360 Efficient Stereo to 5 Channel Discrete Surround processor
IR-360 Efficient Stereo to 5
Channel Sound Field
IR-360 Full Stereo to 5 Channel
Sound Field
IR-360 Mono to 5 Channel Discrete Surround processor
IR-360 Mono to 5 Channel Sound Field
IR-360 Sound Field 5.1 to 5.1
IR-360 Sound Field 5ch to 5ch
IR-L Efficient Stereo
IR-L Full Stereo
IR-L M> S
IR-L Mono
JJP Bass Stereo
JJP Bass M> S
JJP Bass Mono
JJP Cymbals & Percussion Stereo
JJP Cymbals & Percussion M> S
JJP Drums Stereo
JJP Drums M> S
JJP Drums Mono
JJP Guitars Stereo
JJP Guitars M> S
JJP Keys & Strings Stereo
JJP Keys & Strings M> S
JJP Vocals Stereo
JJP Vocals M> S
Kramer HLS Channel Stereo
Kramer HLS Channel Mono
Kramer PIE Compressor Stereo
Kramer PIE Compressor Mono
L1 Ultramaximizer Stereo
L1 Ultramaximizer Mono
L2 Ultramaximizer Stereo
L3 Multimaximizer Stereo
L3 Ultramaximizer Stereo
L3-16 Multimaximizer Stereo
L3-LL Multimaximizer Stereo
L3-LL Multimaximizer Mono
L3-LL Ultramaximizer Stereo
L3-LL Ultramaximizer Mono
L-360 5 To 5
L-360 5.1 To 5.1
LayD M> S
LayD Mono
LayD Stereo
LFE360 5.1 to 5.1
LFE360 Mono
LinEQ Broadband Mono
LinEQ Broadband Stereo
LinEQ Lowband Mono
LinEQ Lowband Stereo
LinMB Mono
LinMB Stereo
LoAir Mono
LoAir Stereo
LoAir 5.0-to-5.1
LoAir 5.1-to-5.1
M-360 Manager 5 to 5
M-360 Manager 5 to 5.1
M-360 Manager 5.1 to 5.1
M-360 Mixdown 5 to 5
M-360 Mixdown 5.1 to 5.1 Maserati ACG M> S
Maserati ACG Stereo
Maserati B72 Mono
Maserati B72 M> S
Maserati B72 Stereo
Maserati DRM Mono
Maserati DRM Stereo
Maserati GRP Mono
Maserati GRP Stereo
Maserati GTi M> S
Maserati GTi Stereo
Maserati HMX M> S
Maserati HMX Stereo Maserati VX1 M> S
Maserati VX1 StereoMaxxBass Mono
MaxxBass Stereo
MetaFlanger M> S
MetaFlanger Mono
MetaFlanger Stereo
MondoMod M> S
MondoMod Mono
MondoMod Stereo
Morphoder M> S
Morphoder Mono
Morphoder Stereo
MV2 Mono
MV2 Stereo
MV360 5.0 to 5.0
MV360 5.1 to 5.1
Octaver Mono
Octaver Stereo
Reverb Mono
Reverb M> S
Reverb StereoVolume Pedal Mono
Volume Pedal Stereo
OverDrive Mono
OverDrive Stereo
Panner M> S
Panner Stereo
PAZ - Analyzer Stereo
PAZ - Frequency Mono
PAZ - Frequency Stereo
PAZ - Meters Mono
PAZ - Meters Stereo
PAZ - Position Stereo
Phaser M> S
Phaser Mono
Phaser Stereo
Pitcher Mono
Pitcher Stereo
PS22 Split M> S
PS22 Split Stereo
PS22 Spread M> S
PS22 Spread Stereo
PS22 Spread (10) M> S
PS22 Spread (10) Stereo
PS22 X-Split M> S
PS22 X-Split Stereo
PuigChild 660 Mono
PuigChild 670 Stereo
PuigTec EQP-1A Mono
PuigTec EQP-1A Stereo
PuigTec MEQ-5 Mono
PuigTec MEQ-5 Stereo
Q1 - Paragraphic EQ Mono
Q1 - Paragraphic EQ Stereo
Q2 - Paragraphic EQ Mono
Q2 - Paragraphic EQ Stereo
Q3 - Paragraphic EQ Mono
Q3 - Paragraphic EQ Stereo
Q4 - Paragraphic EQ Mono
Q4 - Paragraphic EQ Stereo
Q6 - Paragraphic EQ Mono
Q6 - Paragraphic EQ Stereo
Q8 - Paragraphic EQ Mono
Q8 - Paragraphic EQ Stereo
Q10 - Paragraphic EQ Mono
Q10 - Paragraphic EQ Stereo
Q-Capture Mono
Q-Clone Mono
Q-Clone Stereo
R-360 5 to 5
R-360 Compact 5.1 to 5.1
R-360 Compact Mono to 5
R-360 Compact Mono to 5.1
R-360 Compact Stereo to 5
R-360 Compact Stereo to 5.1
R-360 Mono to 5
R-360 Mono to 5.1
R-360 Stereo to 5
R-360 Stereo to 5.1
RenAxx Mono
RenAxx Stereo
RenBass Mono
RenBass Stereo
RenChannel M> S
RenChannel Mono
RenChannel Stereo
RenComp Mono
RenComp Stereo
RenDeEsser Mono
RenDeEsser Stereo
RenEQ-2 Mono
RenEQ-2 Stereo
RenEQ-4 Mono
RenEQ-4 Stereo
RenEQ-6 Mono
RenEQ-4 Mono
RenEQ-6 Stereo
RenReverb Compact M> S
RenReverb Compact Stereo
RenReverb M> S
RenReverb Stereo
RenVox Mono
RenVox Stereo
RenReverb M> S
RenReverb Mono
RenReverb Stereo
S1-Imager Stereo
S-360 Imager Stereo to 5.1
S-360 Panner Mono to 5
S-360 Panner Mono to 5.1
S-360 Panner Stereo to 5
S-360 Panner Stereo to 5.1
SoundShifter Graphic Mono
SoundShifter Graphic Stereo
SoundShifter Parametric Mono
SoundShifter Parametric Stereo
SoundShifter Pitch Mono
SoundShifter Pitch Stereo
Spring M> S
Spring Mono
Spring Stereo
Stomp2 M> S
Stomp2 Mono
Stomp2 Stereo
Stomp4 M> S
Stomp4 Mono
Stomp4 Stereo
Stomp6 M> S
Stomp6 Mono
Stomp6 Stereo
SuperTap 2-Taps Mod M> S
SuperTap 2-Taps Mod Mono
SuperTap 2-Taps Mod Stereo
SuperTap 6-Taps Mod M> S
SuperTap 6-Taps Mod Mono
SuperTap 6-Taps Mod Stereo
SuperTap 6-Taps Mono
SuperTap 6-Taps Stereo
Tone Mono
Tone Stereo
TransX Multi Mono
TransX Multi Stereo
TransX Wide Mono
TransX Wide Stereo
TrueVerb M> S
TrueVerb Mono
TrueVerb Stereo
Tuner Mono
UltraPitch 3-Voice M> S
UltraPitch 3-Voice Mono
UltraPitch 3-Voice Stereo
UltraPitch 6-Voice M> S
UltraPitch 6-Voice Mono
UltraPitch 6-Voice Stereo
UltraPitch Shift M> S
UltraPitch Shift Mono
UltraPitch Shift Stereo
UltraPitch-DLA Mono
UltraPitch-DLA Stereo
UM225 Stereo to 5.0
UM226 Stereo to 5.1
Vibrolo Mono
Vibrolo Stereo
Vocal Rider Mono
Vocal Rider stereo
Volume Pedal Mono
Volume Pedal Stereo
WahWah Mono
WahWah Stereo
Waves Tune Mono
W43 Mono
W43 stereo
WNS Mono
WNS stereo
X-Click Mono
X-Click Stereo
X-Crackle Mono
X-Crackle Stereo
X-Hum Mono
X-Hum Stereo
X-Noise Mono
X-Noise Stereo
Z-Noise Mono
Z-Noise Stereo
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