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1. De La Soul Buhloone Mindstate Zip http://shorl.com/grihipegrypryfru.
2. De La Soul Art Official Intelligence Zip; De La Soul Art Official Intelligence Mosaic Thump Rar De La Soul Art Official Intelligence Zip. In 1987, a trio known as De La Soul formed from Long Island, NY roots and changed the landscape of hip-hop as we knew it. Now, for over 20 years they have rocked us with their De La songs full of inscrutable.

Long term success in the rap game is one of the most difficult things to achieve in all of music. There have only been two hip hop artists who enjoyed great success in the 1980s, as well as in the late 1990s: Too $hort and Slick Rick, who have been dropping certified gold and platinum records since the mid-80s (Too $hort since “Born To Mack”, Slick Rick since “The Show/La-Di-Da-Di” 12″ single), and both came up with gold albums in 1999. While greats such as Big Daddy Kane and Rakim have attempted to make comebacks, their receptions were lukewarm at best (even though Kane has had some real hot guest spots), losing a measure of their old fans by changing, and not choosing the type of beats that impress the new jacks. While Too $hort has always survived by catering to the faction that wants a good old fashion pimps up hoes down rap, Slick Rick has thrived on his ability to change style and subject matter in his raps. Enter De La Soul, who resemble the latter much more than the former. De La Soul, the masters of versatility. The trio of Maseo, Pos, and Dave debuted in 1989, with (if this is possible) an album that was both a cult and mainstream (it’s certified platinum) classic, “3 Feet High and Rising”, was an upbeat, leftwing, slightly immature album. Next album, “De La Soul Is Dead”, was a 180 degree turn from the first, displaying the darker side of De La Soul. The next two, “Buhloone Mindstate” and “Stakes is High”, fell somewhere in between the first two. So, the questions surrounding the new release was: would De La be able to continue evolving and coming with fresh new styles, and would they be able to capture a portion of the contemporary rap fan base.

After the intro, “U Can Do (Life)” opens things up, and if nothing else it serves the purpose of showing that De La Soul still contains three of the best lyricists that hip hop has to offer, throwing out similes like “We burn slow like syphilis in your piss”, and metaphors such as “An apple a day only makes a nigga fruity/I eat responsibilities to carry out my duties”.

After this, as well as a nice beat from Supa Dav West, I had a feeling that I would not be disappointed with De La Soul’s 5th effort.

The next song, “My Writes”, features three members of the Likwit fam: J-Ro, Tash, and Xzibit, and is produced by Ad Lib. The beat is well done, displaying a definite west coast flavor. The song itself isn’t really De La Soul, with references to “nut juggling”, and wack lines like “I love money like I love my mama”. And while CaTash and X to the Z can hang with De La on the lyrical tip, J-Ro is simply outclassed on this song. Still, it’s a good song; it would just be better without J-Ro’s “contributions”.

The lead single follows, which if you didn’t know, is “Oooh”, featuring Redman. This is a pure (and self-professed) club track, and it works. The Funk Doc provides his usual high energy, weed-induced haze for the “hook” (there’s no repeated lines other than the song’s title). And De La, in the tradition of all great rap artists, takes standard topics and turns them into clever lines: “I’m iced out like a glass of tea/Better yet oatmeal cookies, y’all just rookies to me.” This song has a good shot at catching the mainstream crowd, and the video is a humorous parody of “The Wizard of Oz”, but the video also has numerous cutaways from the actual song for skits, which may not be a good thing when trying to capture the admiration of today’s short attention span rap fans.

If there was another track on here that had the potential for capturing the mainstream crowd is “I.C. Y’All” with a Busta Rhymes-provided chorus. I personally think this may have been a better choice for the lead single; Busta Rhymes brings even more energy than Redman for the hook, and Rockwilder shows his Erick Sermon lineage with the beat here: not too complicated, just some real dope shit. Like “Oooh”, it is essentially a club track with nice lines.

Speaking of Slick Rick, his name pops up several times on the album itself (not just in the intro to this review). In addition to several other references (“Like Rick D and Vance Wright, no one can serve us”; “We like to party, we don’t bother nobody”), the first verse of “Set the Mood”, guest star Indeed does a semi-cover of Rick’s classic “The Moment I Feared”, adding to Mr. Walters’ resume as the most sampled rapper of all time. The best lines, however, do not come in this verse, but the second:

“My Art is Official while you you’re artificial
Break it down to your very last participle..
..I’m in everything you see, like crammed
Yo, I’m in demand, I’m in the club, man I’m in your hand
Being bought, I’m even on your thoughts
Like your girl, the only thing you’re in is inactive”

This is the type of shit that seperates De La from 95% of the rap world.

“Declaration” is one of several tracks that address the current state of hip hop. As one would guess, De La does not like the direction that the majority is taking: “Your aim’s to please/My aim’s to freeze ya dead center, end the track with ya hands high”. The beat is very fitting: hardcore sounding, with heavy scratching. But once again, the track’s biggest strenght is the the lyrics:

De La Soul Art Official Intelligence: Mosaic Thump Zippyshare Video

“There’s truly a few making them hits
While us, we got our mits
Closed, cuz you on the field bunting
Make it to third base, but never reach home
The word is your worried about the unknown”

De La Soul - 3 Feet High and Rising De La Soul - AOI Bionix De La Soul - Art Official Intelligence - Mosaic Thump De La Soul - Buhloone Mindstate DE LA SOUL - GRIND DATE De La Soul - Stakes Is High Dead Presidents - OST Dead Prez - Get Free Or Die Tryin' Turn Off The Radio Vol. 2 Dead Prez - Lets Get Free Dead Prez - RBG. Art Official Intelligence: Mosaic Thump. It's a mature victory. A million white-and-yellow flowers bloom and wither. Trugoy The Dove has sat back, taken stock and is now known as Dave.

De La did a good job of interspersing the album with different types of tracks; they spaced the hardcore tracks and the more club oriented tracks evenly throughout. “Copa (Cabanga)”, a club-style track with a funky beat (from Supa Dav West), pretty much just puts you in a good mood, which was the aim.

“The Art of Getting Jumped” is a humorous funny-cuz-it’s-true story track that satirizes club life, from the violence to the gold diggers. The beat is a dope, fast paced sound that De La provides themselves.

The outro is “U Don’t Wanna B.D.S. (Bust Dat Shit)”, which is an industry shakedown of sorts, featuring, you guessed it, Freddy “Bumpy Knux” Foxxx. The only bad thing about this song is that Foxxx doesn’t bust a verse, he just rants, but his rants even has more energy than the vast majority’s verses. In addition to the attacking lyrics, the production is some of the best that the album has to offer (once again provided by De La Soul, who produced 10 of the 16 actual tracks on the LP), and all in all ends the album with a bang.

Lyrically, it’s about as good as any album I’ve heard in a long time, and the production is very well done. Look back to 1988: Slick Rick changed rap forever when he released “The Great Adventures…” One year later, De La Soul changed rap forever with the release of “3 Feet High…” Look forward to 1999: Slick Rick proved that a rap artist can earn a fanbase among new jacks but keep their old school fans. One year later, De La Soul, confirmed once more that it is possible. De La Soul have held onto their crowns as the kings of innovation. This time around, they took cliched subject matter and made it interesting, and interesting subject matter and made it mind spinning. There are few rappers who can claim that they changed the game for the better; there are fewer still that can say they’ve been in the game for more than ten years and are still as dope as they were when they dropped their first album; De La Soul can claim both, and that’s saying a lot.

1,030,270 likes 18,498 talking about this. The Official Page for De La Soul. Art Official Intelligence: Mosaic Thump (2000) AOI: Bionix (2001) The Grind Date (2004). Smell The Daisy (2014) And The Anonymous Nobody (2016) Today, De La continue to the tour globe and are currently working on their new studio album “And The.

Art Official Intelligence: Mosaic Thump is the fifth studio album by Americanhip hopgroupDe La Soul, it was released on August 8, 2000.

1. De La Soul ~ Art Official Intelligence-Mosa Amazon.com. The first of their three-album Art Official Intelligence series, Mosaic Thump is a likable album, full of inspired moments. It's also the closest thing De La Soul have ever come to making a less-than-stunning LP.
2. De La Soul has always remained in one spot, at the forefront of hip-hop. At one time considered 'cutting edge,' they are now riding along with, however not behind, the hip-hop industry. Their latest offering, Art Official Intelligence, shows De La's ability to change with the times, fitting right at home with current hip-hop flavors.
3. De La Soul came storming back after four years of recording inactivity -- and practically a decade out of the hip-hop limelight -- with a promise to release three full albums in a series they dubbed Art Official Intelligence.From the first volume, Mosaic Thump, it's clear that despite laudable ambitions, comeback albums should be focused and lean, not as flabby as this one.
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Overview[edit]

The album was the first in a planned three-disc installment, which was originally intended to be a three-disc album. Among the guests on the album are, Redman, Tash and J-Ro of Tha Liks, Xzibit, Busta Rhymes, Mike D and Ad Rock of the Beastie Boys, Busy Bee, Freddie Foxxx and soul diva Chaka Khan.

Winrar 64 bit full crack. Unlike their previous album, Stakes Is High, Mosaic Thump returned De La Soul to chart territory again thanks to the hit singles 'Oooh.', and 'All Good?'. The album was also nominated for a Grammy.

The Japanese version of the album featured album art by celebrity hip hop-inspired manga artistSanta Inoue, owner of Santastic! Entertainment clothing line.^[1]

Critical reception[edit]

Art Official Intelligence: Mosaic Thump generally received overall positive reviews from critics. James Poletti of Yahoo! Music gave the album an eight out of ten star review. 'In keeping with the current vogue for hip hop albums with more guests than Letterman, over 50 per cent of this album features appearances from everyone from Redman to Chaka Khan', which he said may or may not have something to do with finding a unique voice in hip hop. 'The really refreshing change with De La Soul is not simply their lack of bullshit but their proud rejection of hip-hop's nihilism.'^[11] Michael Goldberg of Neumu gave the album the same eight out of ten star review and simply said that the number of guest stars in the album, 'keeps things lively'. 'The grooves are righteous and the vibe is right' Goldberg stated.^[6]

Commercial performance[edit]

In their home country of United States, Art Official Intelligence: Mosaic Thump debuted at number 9 on the Billboard 200, selling 81,000 copies in its first week.^[12]

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Track listing[edit]

References[edit]

1. ^Inoue, Santa (2006). 'De La Soul / Art Official Intelligence' (in Japanese). Tōkyō-toShibuyaku Shibuya 1 Chōme 22 − 5: Santastic! Entertainment. Retrieved April 21, 2009.^{[permanent dead link]}
2. ^'Art Official Intelligence (Mosaic Thump) Reviews, Ratings, Credits, and More at Metacritic'. Metacritic. Retrieved June 13, 2012.
3. ^Bush, John. 'De La Soul: Art Official Intelligence: Mosaic Thump' at AllMusic. Retrieved September 1, 2011.
4. ^Weingarten, Marc (August 18, 2000). 'Art Official Intelligence: Mosaic Thump: De La Soul'. Entertainment Weekly (#555-556).
5. ^Baker, Soren (August 4, 2000). 'In a Surprise, De La Soul Plays Things Straight Up'. Los Angeles Times.
6. ^ ^abGoldberg, Michael. 'De La Soul: Art Official Intelligence: Mosaic Thump'. Neumu. Retrieved April 21, 2009.
7. ^Christgau, Robert. 'De La Soul'. robertchristgau.com. Retrieved September 1, 2011.
8. ^Sheffield, Rob (August 17, 2000). 'De La Soul: Art Official Intelligence: Mosaic Thump'. Rolling Stone (847). Archived from the original on 2007-11-17.
9. ^Christgau, Robert (August 2000). 'Getting Them Straight'. The Village Voice. p. 1.
10. ^Jones, Steve (August 8, 2000). 'Rap: De La Soul, Art Official Intelligence: Mosaic Thump'. USA Today.
11. ^ ^abPoletti, James (August 11, 2000). 'De La Soul – 'Art Official Intelligence: Mosaic Thump''. Yahoo! Music. Archived from the original on May 17, 2004.
12. ^'De La Soul's Crowd-Funded Album Debuts at No. 1 on Top Rap Albums Chart'. Billboard. September 9, 2016. Retrieved September 26, 2016.

External links[edit]

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• Art Official Intelligence: Mosaic Thump at Metacritic

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De La Soul came storming back after four years of recording inactivity -- and practically a decade out of the hip-hop limelight -- with a promise to release three full albums in a series they dubbed Art Official Intelligence. From the first volume, Mosaic Thump, it's clear that despite laudable ambitions, comeback albums should be focused and lean, not as flabby as this one. Unfortunately, the trio of Posdnuos, PA Mase, and Dave (formerly Trugoy the Dove) fall into the same trap they did on 1991's De La Soul Is Dead; an inventive, intelligent group attempts to prove themselves flexible enough to survive in a changing music world, and subsequently loses most of their appeal in the process. Mosaic Thump begins with 'U Can Do (Life),' a surprisingly weak attempt at hip-hop soul. Posdnuos' raps are occasionally thoughtful and clever, but he seems obsessed with being as hardcore as DMX or Jay-Z. Aside from a few solid productions by outsiders (Ad Lib's 'My Writes,' Jaydee's 'Thru Ya City,' Rockwilder's 'I.C. Y'All.' with Busta Rhymes), most of Mosaic Thump was produced by De La Soul themselves, and the music is just as limpid and flat as the rapping.

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